Is Prospero the Duke of Milan Again?

Prospero Timeline and Summary

• 1.2: Prospero enters into the play with the command: "Be collected." He tells Miranda not to be shocked, there's no harm done, in spite of the spectacle he'southward created in the tempest. This could well be practical to all of the magic Prospero does throughout the play—it's spectacular, but information technology isn't malicious or to exist feared.
• one.2: Prospero says all he'southward ever done has been with the intention of caring for Miranda, and though she doesn't know information technology, he is more she thinks he is. He assures her he's washed no impairment to the men on the boat, and now he'll tell her about their life story.
• 1.2: Prospero marvels at what Miranda remembers. He asks what else she can see back in the darkness of fourth dimension, just hearing that she doesn't retrieve much more her nursemaids, he tells her that their family unit one time had the dukedom of Milan.
• 1.2: Prospero shows his enlightened perspective—he says it was foul how they were sent from Milan, but they were blessed (by Gonzalo and the good winds) that they made information technology safely to this isle.
• 1.2: He continues to tell the story of how he became involved in his studies of the liberal arts, and trustingly gave over the run of his dukedom to Antonio. Prospero then details how Antonio contrived to steal the dukedom from him while he was busy with his books. He says his library was dukedom enough for him, and he did non anticipate his brother'south evil grab for power. He also doesn't like that Antonio made Milan stoop to the King—this is below his (and Milan'southward) dignity. The concluding particular is that Antonio opened the gates and sent Prospero and Miranda out of Milan under the cover of night, to a sad fiddling boat.
• 1.2: Prospero shows his tenderness as a male parent—though he wept for all his loss, Miranda had a smile infused with the strength of heaven, and he gathered courage from her. They survived at first because of the things Gonzalo kindly made sure they had, including Prospero's precious books, which he uses to teach Miranda. He claims she is amend learned than other princesses that have more distractions and worse tutors.
• 1.2: Prospero admits that his art depends upon a star, and he must human activity in accordance to that special sign if he's going to achieve anything. It's fourth dimension to become back to concern, so he enchants Miranda to sleep.
• 1.2: Prospero has an exchange with Ariel, confirming that his bidding was done to bring the passengers of the wrecked ship to shore safely. He compliments Ariel lovingly, and says in that location's much more work to exist washed.
• 1.ii: When Ariel points out his thoughts to the freedom Prospero promised, Prospero gets angry. He accuses Ariel of being moody, and quickly asks whether Ariel has forgotten what Prospero did for him.
• 1.two: Prospero chides Ariel for thinking that Prospero is asking too much. He claims Ariel has forgotten the witch Sycorax, and though he asks Ariel to tell what he remembers of her, he himself fills in all the details near who she was, why she came to the isle, and why she imprisoned Ariel in a pine tree. He points out it was his own fine art that freed Ariel from his groaning torment in the tree, an act then powerful that Sycorax couldn't have done it herself.
• 1.two: Prospero warns Ariel that if he then much as murmurs on this again, Prospero will return him to his tree prison house so he tin howl away another twelve winters. (Harsh.) He later promises Ariel will have his freedom after two more days of doing his chief'due south behest.
• 1.2: Prospero wakes Miranda and asks her to go with him to see Caliban, whom he admits does them a cracking service by bringing them woods and building their fire. He curses Caliban thoroughly, and promises his servant will suffer bully torments for any curses he lays upon his master.
• 1.2: Prospero calls Caliban a lying slave, and recounts that he kept Caliban in his own cell (home) until Caliban tried to violate the honour of his daughter (not a good move). More blasphemous follows, with threats of cramps and aches that Caliban volition go if he doesn't follow Prospero's orders to the letter.
• one.2: Miranda accompanies Prospero to see Ferdinand from afar—Prospero tells her he's the same form as they are (human), and moves her to compassion him for his recent grief. Prospero makes an bated that he's pleased with how things are going with the young couple, and compliments Ariel for his fine piece of work, which will earn the spirit'due south liberty.
• 1.2: Prospero scolds Ferdinand for calling himself the Male monarch of Naples, and makes a pompous aside that the Duke of Milan and his daughter (i.e., Miranda) could control Naples (i.east., Ferdinand) if the time were right for information technology. This pompousness is left off to again compliment Ariel, and the aside continues with Prospero's observation that he must make information technology hard for the 2 young lovers. If they don't struggle, they won't value their love for each other. Prospero now moves to harassing Ferdinand, whom he accuses of being a spy.
• 1.2: Prospero bids Ferdinand follow him, for he'll concatenation him upward every bit a traitor and feed him but withered roots and acorn shells. He dares Ferdinand to raise his sword, and promises to make him drop information technology by using his (magic) staff. When Miranda protests, he scolds her, too, saying that another give-and-take in defence force of Ferdinand will make him chide her, if non detest her. He claims that Ferdinand is ugly, simply she doesn't know information technology because she doesn't know annihilation of men. He has now wrapped Ferdinand in a charm.
• 3.1: Prospero looks on at Ferdinand and Miranda from a distance, and happily notes that Miranda is deeply in love. He is and then pleased by their innocent encounter that he asks the heavens to rain grace on the love between them. He admits he can't exist as glad of their surprise love equally they are (considering he did plan it after all), but he does rejoice immensely. Then he's back to the business that must be done before dinnertime.
• 3.iii: Prospero watches the banquet laid out before Alonso, Antonio, and Sebastian. He makes an aside agreeing with Gonzalo's comment on the heavenly nature of the spirits, grumbling that some of the people at the banquet are actually worse than devils. Later, he finds Ariel again, and praises him for his good acquit-through on his instructions. He notes his enemies are all knit up past what they've seen, and are now in his ability. He leaves the traitors to become visit Ferdinand.
• 4.1: Prospero speaks frankly with Ferdinand, telling him the trials were just to brand sure that the male child deserved his daughter. Ferdinand has passed the test, and Prospero will at present hand over a precious third of his life (i.e., Miranda). A few lines later, he warns that if Ferdinand touches Miranda before the proper nuptials ceremony, he'south toast. Then Prospero calls Ariel to bring spirits to the place to perform "the vanity of mine art" for the young couple. He again warns Ferdinand to exist skilful to his word. Then all attention is moved to the brandish of gods before them. Prospero tells the amazed children that these are spirits enacting Prospero's present fancies.
• four.1: Prospero calls off his magical drama product—he had forgotten Caliban's plot against him, and must exercise something about it. He then notes that Ferdinand looks unhappy, or at the least worried well-nigh his presentlyhoped-for father-in-constabulary. Prospero gives a thoroughly lovely speech, proclaiming that the revels are ended, and he wraps metaphor upon metaphor most life existence a play, which is a meta-metaphor, given that they're talking about the life outside of the play based on a play they're watching in a play we're watching—totally postmodern chic. Anyway, this is ane of Shakespeare's most beautiful speeches, to challenge "tomorrow and tomorrow and tomorrow," nosotros'd bet. Read it in its entirety for full effect.
• four.ane: Prospero asks Ariel to lay out his fine stuff (clothes and linens), knowing it will distract his drunken, greedy, would-be murderers. He and so cusses Caliban as a born devil, whose nature cannot exist bettered past nurture. Prospero vows to plague the plotters all to the indicate where they'll roar out of ache. He eggs on his spirit hounds that chase the group when they arrive, and promises the traitors will have cramps, convulsions, and pinches.
• 4.1: Prospero notes he has everybody right where he wants them: "At this hour Lie at my mercy all mine enemies." Will he utilise his power for skilful or evil, virtue or vengeance? Nobody knows, Jeeves, nobody knows.
• 5.i: Now we know! Prospero asked Ariel how the shipwrecked grouping is doing, and Ariel says they're such a sad mess, they could make a person feel sympathy. Prospero takes Ariel'due south words to heart—he should be capable, if not more than capable, of the spirit's sympathetic feelings. Although the traitors have washed him terrible wrong, he doesn't want vengeance, and merely wishes to encounter that they are sorry. He commands Ariel to release them from his charm.
• 5.1: In a gorgeously moving speech, Prospero recounts all the $.25 of magic he has seen and partaken in. He so announces that one time this task is over, he volition suspension his staff and drown his volume, giving upwards his art of magic. This is kind of a large deal.
• 5.1: Prospero, surrounded by all outset cord bad guys, gives them a stern talking to. He greets Gonzalo gladly, and calls out Alonso, Sebastian, and Antonio for their role in his present condition (existence banished to an island). He then subtly points out that Antonio and Sebastian would've murdered the King, bros or no. In a thousand final gesture, Prospero declares he forgives them all, before realizing they don't know who he is. He bids Ariel to bring him his chapeau and sword, which they'll so recognize. ("Oh! I didn't recognize you without your hat and sword!") Equally Ariel dresses him, he praises the spirit, and bids him to bring the mariners (sailors) that are safely sleeping in the Rex'south rescued ship.
• v.1: At present that he's wearing his hat, he says "Behold, sir King, The wronged Duke of Milan, Prospero." Having thus properly announced himself, he'll dispel whatever fears they have that he is another illusion of the island past hugging them. He bids them all hearty welcome, and hugs all effectually, as the "Yous had me exiled with my infant daughter,"/ "You destroyed my ship and killed my son" feud is far in the past. He points out that he hasn't outed Sebastian and Antonio (which basically outs them—slick). Prospero continues to be backhanded here; he turns to his brother Antonio and says that to call him brother "would even infect my rima oris," which he immediately follows with "I do forgive thy rankest fault" and a follows that up essentially with "of course y'all'll have to give me my dukedom dorsum now, you simpering fool."
• 5.1: Prospero then plays a funny prank on Alonso, who is still mourning his expressionless son. He points out his daughter is besides lost, and now Alonso gets to think nearly ii dead children! Prospero apace changes the subject dorsum to himself, noting the others' awe. He knows it's amazing that he'due south here, and he recaps the injustices done confronting him, but then, after his long talk, he says information technology'southward no fourth dimension for long talk. He directs their attention to his prison cell, where Ferdinand and Miranda are playing a circular of chess.
• 5.1: Alonso has a private moment with his son, thinking to ask his forgiveness for the wrong washed against Milan, but Prospero interjects that they should non dwell on the past.
• five.i: Alonso suggests that an oracle could explain all these foreign happenings, just Prospero cuts him off and promises to clear it up himself later. And then Prospero commands Ariel to bring in Caliban, Trinculo, and Stefano.
• 5.1: Prospero tells Caliban'south life story in a not-and so-nice way, calls Caliban's mom a witch, highlighting that the three have robbed and plotted to kill him. He then teases Stefano, who is in a cramp of pain and drunkenness, asking if he would be king of the island. Prospero magnanimously dismisses Caliban to tidy up his cell for dinner, so that Caliban can again be in his good graces.
• 5.1: Prospero invites everyone to stay at his jail cell for the night, where he'll tell his life story. In the morning time they will all have the transport dwelling to Naples, where the kids can go married and Prospero can revel in his dukedom and captivate about his own death.
• 5.1: His last command to Ariel is to make sure the seas are skillful for sailing, so he sets him free to the elements, as he calls the audience near.
• Epilogue: Prospero makes a big speech that goes something similar this: "If you handclapping, I'll exist satisfied and be able to get off the stage already."

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Source: https://www.shmoop.com/tempest/prospero-timeline.html